Thursday, May 9 | 9pm - 12am

Trumpet Blossom Cafe  | 310 E Prentiss St, Iowa City, Iowa 52240

Cost: $12 advance, $15 at door, or FREE for ages 20 and under


The Feed Me Weird Things collaboration is a series of online visual “mixtapes” created in response to a series of music performances. Each mixtape (or group of art) is culled from the permanent collections of the University of Iowa Stanley Museum of Art and paired with short essays. These essays and images provide an avenue for exploring overlaps between the aesthetic sensibilities of visual and sonic artforms. 

A central endeavor of art exhibitions and concert series alike is to introduce audiences to new ideas, or novel combinations and juxtapositions of old ideas. Musical curator Chris Wiersema (Mission Creek Festival) and visual curator Vero Rose Smith (Stanley Museum of Art) are united in their effort to carve out cavities for interesting conversations and cross-disciplinary connections. What is music? What is art? Where are the spaces between, and the intersections? What does it mean to listen and see deeply? The curators hold in common a belief that learning to listen and see with depth and empathy should not be limited to those able to receive specialized training. Sharing time, and attention, and physical proximity with others can create a natural empathy despite differences in personal identities and cultures.


Nadah El Shazly is part of a burgeoning underground music scene in Egypt that has been rightly garnering more and more interest of late. Having started out in music in a Cairo punk band singing Misfits covers, El Shazly gradually moved into homemade electronic music before alighting on the mystical hybrid between rock, avant-garde music and electronica that forms the core of Ahwar (“marshlands” in Arabic). With Libyan guitarist Sam Shalabi and fellow Cairo native Maurice Louca (both members of The Dwarfs Of East Agouza with Alan Bishop) adding their prodigious talents to the fray, El Shazly has joined together past and present to position herself at the forefront of the new North African music scene.
"A perfect, soaring amalgamation of traditional Egyptian song with experimental takes on performance and instrumentation." -The Quietus

Dr. Sivan Cohen Elias is a composer, interdisciplinary artist and performer who often integrates different art forms into a unified medium. In her work, performance, play, task, and absurdity operate simultaneously in hybrid systems and bodies that merge behaviors of human, animal and machine, exploring ever-changing phenomena.
Born in Jerusalem, Israel, Cohen Elias' works have been commissioned, broadcast and performed by ensembles and performers (including herself) in and around Europe, Israel, Russia and the United States.
In 2018, Cohen Elias joined the faculty at the University of Iowa as a visiting assistant professor, teaching applied composition and courses in the Electronic Music Studios.


Collection Highlights

Nancy Lee Purington

  Woven Waters I from MBOOM

, 1991
Gouache on Arches, 40 x 28 in. (101.6 x 71.1 cm)
Gift of John and Ellen Buchanan, 2015.322